Pascal Dagnan-Bouveret

(January 7, 1852 - July 3, 1929), was one of the leading French artists of the academic school. He was born in Paris, the son of a tailor, and was raised by his grandfather after his father emigrated to Brazil. Later he added his grandfatheres name, Bouveret, to his own. From 1869, he studied at the Ecole des Beaux-Arts under Alexandre Cabanel and Jean-Leon Gerôme. In 1873, he opened his own studio with a fellow student Gustave-Claude-Etienne Courtois. From 1875, he exhibited at the Salon, where in 1880 he won the first-class medal for the painting An Accident, and a medal of honour in 1885 for Horses at the Watering Trough. From the 1880s, Dagnan-Bouveret along with Gustave Courtois, maintained a studio in Neuilly-sur-Seine, a fashionable suburb of Paris. By that time he was recognized as a leading modern artist known for his peasant scenes, but also for his mystical-religious compositions. His large-scale painting The Last Supper was exhibited at the Salon de Champ-de-Mars in 1896.[1] He also painted portraits for wealthy clients including the British collector George McCulloch. He was one of the first to use the then new medium of photography to bring greater realism to his paintings. In 1891, he was made an Officer of the Legion of Honour; in 1900 he became a member of the Institut de France.
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Pascal Dagnan-Bouveret The Blessed Bread oil painting


The Blessed Bread
Das Heilige Brot
Gemälde ID::  11067
Siehe Galerie in Schweden
The Blessed Bread
Das Heilige Brot
1885(Salon of 1886) 3' 11 1/4'' x 2' 9''(120 x 84 cm)
1885 (Salon von 1886) 3~ 11 1/4~~ X 2~ 9~~ (120 X 84 cm)
1885(Salon_of_1886) 3'_11_1/4''_x_2'_9''(120_x_84_cm)
   
   
     

Pascal Dagnan-Bouveret Gustave Courtois in his studio oil painting


Gustave Courtois in his studio
Gemälde ID::  84272
Siehe Galerie in Schweden
Gustave Courtois in his studio
oil on canvas 48.3 x 63.5 cm cjr Date 1880
oil_on_canvas_ 48.3_x_63.5_cm_ cjr Date_1880
   
   
     

Pascal Dagnan-Bouveret Sulking  Gustave Courtois in his studio oil painting


Sulking Gustave Courtois in his studio
Gemälde ID::  88158
Siehe Galerie in Schweden
Sulking Gustave Courtois in his studio
oil on canvas 48.3 x 63.5 cm cyf
oil_on_canvas_ 48.3_x_63.5_cm_ cyf
   
   
     

Pascal Dagnan-Bouveret Marguerite au Sabbat oil painting


Marguerite au Sabbat
Gemälde ID::  92349
Siehe Galerie in Schweden
Marguerite au Sabbat
circa 1912 (1885?) oil on canvas ttd
circa_1912_(1885?) oil_on_canvas _ttd
   
   
     

Pascal Dagnan-Bouveret Breton Women at a Pardon oil painting


Breton Women at a Pardon
Gemälde ID::  95117
Siehe Galerie in Schweden
Breton Women at a Pardon
1887. 125.1 x 141.1 cm cyf
1887._125.1_x_141.1_cm cyf
   
   
     

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Vorheriger Künstler       Nächster Künstler     

     Pascal Dagnan-Bouveret
     (January 7, 1852 - July 3, 1929), was one of the leading French artists of the academic school. He was born in Paris, the son of a tailor, and was raised by his grandfather after his father emigrated to Brazil. Later he added his grandfatheres name, Bouveret, to his own. From 1869, he studied at the Ecole des Beaux-Arts under Alexandre Cabanel and Jean-Leon Gerôme. In 1873, he opened his own studio with a fellow student Gustave-Claude-Etienne Courtois. From 1875, he exhibited at the Salon, where in 1880 he won the first-class medal for the painting An Accident, and a medal of honour in 1885 for Horses at the Watering Trough. From the 1880s, Dagnan-Bouveret along with Gustave Courtois, maintained a studio in Neuilly-sur-Seine, a fashionable suburb of Paris. By that time he was recognized as a leading modern artist known for his peasant scenes, but also for his mystical-religious compositions. His large-scale painting The Last Supper was exhibited at the Salon de Champ-de-Mars in 1896.[1] He also painted portraits for wealthy clients including the British collector George McCulloch. He was one of the first to use the then new medium of photography to bring greater realism to his paintings. In 1891, he was made an Officer of the Legion of Honour; in 1900 he became a member of the Institut de France.

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